Maximum The Hormone Discography 20012011 Flac Today
These early recordings have a raw, garage-band production quality. Lossless audio preserves the authentic, unpolished grit of the band's formative years without adding digital artifacts. 2. Kusoban (2004)
The dynamic shifts in "What's Up, People?!"—from a whisper to a drop-tuned metal assault—can overwhelm lossy files. In FLAC, the sudden transient responses are handled effortlessly, keeping the sub-bass clean and free of distortion. 6. Tsume Tsume Tsume / "F" (2008)
| Year | Title | Album (or single notes) | Key Info & Notes | | :--- | :--- | :--- | :--- | | 2002 | | Single | An early single that helped build their indie following. | | 2003 | Enzui Tsuki Waru | Single | Continued their momentum in the indie scene. | | 2004 | Rock Bankuruwase / Minoreba Rock | Single | A notable double A-side single. | | 2004 | Hōchō Hasami Cutter Knife Dosu Kiri / Rei Rei Rei Rei Rei Rei Rei Rei Ma Ma Ma Ma Ma Ma Ma Ma | Single | Famous for one of the most audacious and longest song titles in rock history. | | 2006 | Koi no Mega Lover (恋のメガラバ) | Single (from Bu-ikikaesu ) | Their first Top 10 hit, peaking at #9 on the Oricon charts. | | 2008 | Tsume Tsume Tsume / "F" | Single (from Yoshū Fukushū ) | A gold-certified single that reached #2 on the Oricon charts. | | 2011 | Greatest the Hits 2011–2011 | Single (from Yoshū Fukushū ) | A triple-sided, chart-topping single that debuted at #1. |
The title track and "Houchou Hasami..." feature hyper-fast slap bass lines and complex drum fills by Nao. The 16-bit/44.1kHz FLAC format ensures that the percussive attack of the bass strings hitting the fretboard remains crisp, clear, and perfectly separated from the kick drum. 5. Buiikikaesu (2007) Full-Length Album maximum the hormone discography 20012011 flac
If you have ever fallen into the rabbit hole of Japanese punk-metal, you know the name (MTH). Known for their chaotic genre fusion—mixing hardcore punk, death metal, nu-metal, and J-pop melodies—this band has built a cult following that stretches far beyond Shibuya.
For collectors and audiophiles, the discography from this era is often sought after in format to preserve the intricate layers of their production—from Ue-chan’s slap-bass techniques to the contrast between Daisuke’s screams and Ryo’s melodic pop hooks. Maximum The Hormone - Discography -2001-2011- Flac |link|
Raw, unpolished, and heavily influenced by 90s Western nu-metal and hardcore punk (reminiscent of early System of a Down and Red Hot Chili Peppers). Key Tracks: "Abara Bob" and "Force". These early recordings have a raw, garage-band production
"Rokkinpo Koroshi" and "Hōchō Hasami Cutter Knife Dosu Kiri".
Their early years were marked by energetic live performances, quirky music videos, and a dash of humor. In 2002, they released their debut single, "School Bakuretsu Shinkuron!", which showcased their raw energy and zany style. This was followed by their first album, "A.S.A.T.O.R.", in 2003.
, the band entered their most commercially successful period: Rokkinpo Goroshi (2005): Kusoban (2004) The dynamic shifts in "What's Up, People
Rockimpo Goroshi (meaning "Rockimpo Killer") continued their trajectory toward mainstream success, featuring more complex songwriting and melodic contrasts. The production quality in FLAC highlights the tight interplay between the band's dual-vocalist setup. "Rockimpo Goroshi," "Louisiana Bob." 5. ぶっ生き返す (Bu-ikikaesu) - 2007
: A massive maxi-single that reached No. 2 on the Oricon charts, selling over 200,000 copies.
During this period, the band released several influential albums, EPs, and singles, many of which achieved gold certification in Japan.
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,
Bartosz Góralewicz,