Bomba films were never without controversy. The Catholic Church in the Philippines frequently attacked the genre, denouncing it as immoral and corrupting to the public [8†L7-L8]. Religious groups and conservative politicians called for outright bans, while the mainstream press engaged in heated debates about the boundaries of acceptable sexual content on screen.
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Despite the criticism—or perhaps because of it—bomba films became a fixture of Philippine cultural life. They helped push the boundaries of what could be shown in public cinema, challenging norms around nudity and sexuality. Many bomba films remain one of the only categories of 1960s Filipino film to have drawn extensive critical attention [11†L28-L30].